New books from Holocaust survivors

In the 21st century everyone is a writer with an important story to tell and easy access to publishing tools. Underpinning the phenomenon is a plethora of writing ­courses promoting the notion that all personal stories are equally interesting and should be shared. Is this a welcome advance on the quaint condition of the cottage industry known as publishing, where publishers acted as gatekeepers, editors edited and critics provided robust judgment?

Making sense of one’s life through writing and reflection can be useful. But so too is a stint on the therapist’s couch. In a period bloated by the fetish for the personal and a paucity of informed analysis, there is cause for concern. The compulsion to make a personal exercise public rests on the assumption that an individual’s story must be of interest to others.  For full story click here.

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